Winner of the 2021 City of Victoria Children’s Book Prize
Winner of the 2022 Jean Little First-Novel Award
It’s the summer of 1978 and most people think Elvis Presley has been dead for a year. But not eleven-year-old Truly Bateman – because she knows Elvis is alive and well and living in the Eagle Shores Trailer Park. Maybe no one ever thought to look for him at on the Eagle Shores First Nation on Vancouver Island.
It’s a busy summer for Truly. Though her mother is less of a mother than she ought to be, and spends her time drinking and smoking and working her way through new boyfriends, Truly is determined to raise as much money for herself as she can through her lemonade stand … and to prove that her cool new neighbour is the one and only King of Rock ‘n’ Roll. And when she can’t find motherly support in her own home, she finds sanctuary with Andy El, the Salish woman who runs the trailer park.
“Leslie Gentile has created a touching and vibrant novel. Her characters are well-crafted and realistically portrayed. … Elvis, Me, and the Lemonade Stand Summer leaves readers with a memorable message about the power of empathy and kindness to change lives. Highly Recommended.” 5/5 Stars
“This incredible middle grade novel exudes love and heartache. Readers will instantly be drawn to Truly and Andy El and will delight in the beautiful friendship they have cultivated.”
“A refreshingly positive, nurturing portrayal of First Nations culture and people … Gentile creates amazing characters through which she addresses neglect and dysfunctional families, as well as issues of micro aggressions and discrimination against Indigenous peoples … An engaging and layered story of identity and determination … [that] captures what it’s like to live on reserve and what it is to have people who genuinely care about you.”
“With its leisurely pace, this novel feels exactly like a child’s summer … Gentile’s characters are richly realized, and the story takes on challenging material — abuse, identity, racism and more—in ways that respect its audience … The story is approachable and good-natured, wearing its subversive subtext lightly as it presents an unredeemed bad mother, a plot detail that involves questioning the Indian Act and an upending of the white saviour trope … A middle-grade summer story that plays with the genre in ways both satisfyingly familiar and refreshingly new.”